Wednesday, July 29, 2009

New 2010 Denise Milani

October 11, 2007 - Kamakura - Hachiman-gu - 鹤 冈 八 幡 宫

We had reached the entrance to the great Shinto shrine Tsurugaoka Hachiman-gu , an elegant complex of buildings built by vermilion Minamoto Yoritomo in 1180 , having ordered the removal and displacement of its original buildings, built by his ancestor Minamoto Yorihoshi since 1063 in an area called Zaimozuka .

Minamoto Yoritomo (who read some material issue in the Japanese have read ad nauseum), was the founder of the Kamakura shogunate, and like all the characters that have been a turning point in the history of a country deeply impact on the city, its planning and its buildings. The Tsurugaoka was placed in an area that housed a former Buddhist temple, the larger of the current complex.

at the sanctuary reached through a stone bridge to span the curve, not passable today, flanked by a linear bridge, which is the current entry. It is said that the curved bridge was reserved solely for shogun, while everyone else had to use a flat deck similar to the entry today.



the beautiful picture of Kirainet (photo used under CC license, here see the original), one sees the Curca the stone bridge and a backdrop of red moles of tall buildings and low (Mai-den) dell'Hachiman-gu.
The part of the name is a dedication Hachiman eponymous warrior god, patron of the Minamoto emerged victorious from a long dynastic conflict with the house of rival Heike .



The avenue leading to the first building is a long paved with stone on which, depending on the time of year is lined with stalls (in the photo you see them barely two).



The Mai-den building has been reconstructed recently. Originally dating back to periods of above-mentioned Minamoto Yoritomo and is essentially a kind of stage built over the original, where - legend - in 1186 Yoritomo forced, Shizuka, who loves his brother and rival Yoshimitsu to dance for him and his samurai. In this dance is linked to an intricate tale of court and family feud, which you can read in various books in English, including Japan : rough guide.



A closer look shows better the function of this sort of stage "covered stage."



This gigantic wooden cabinet containing barrels of sake. The presence, in the bottom shelf of cans side by side with modern traditional casks made me also think about the beer (sake in a can, can?), But this possibility is very remote. If anyone reading can clarify the issue will make me happy!

A curiosity: the use of barrels for the sake was abandoned in favor of enameled steel drums since 1907. The Japanese government began a campaign against wooden barrels because due to possible bacterial infections also introduced a tax on wooden barrels, accusing them of "losing" in evaporation about 3% of the product contained therein, which might otherwise be taxed. This was perhaps the reason why producers are resigned to the introduction of the modern steel container.



Beyond the Mai-den you get to a grand staircase to the left you will see the Cuni Gingko millennium, the scene unaware of another plot linked to the Minamoto clan. (If you're curious, I refer you to the always very detailed post by Nicola ). At the end of staircase leads to the main building, the Hongu , placed in line with the Mai-den, with the hills to the north and the south sea, highlighted line from the great avenue Danzakura leading from the sanctuary and the sea falls directly under the administration of the sanctuary. To the left of the main wing found containing mikoshi ( 神 舆) , small shrines which are carried on the shoulders during the matsuri, the use of which is dated to approximately 750 , and a museum containing objects in use during the Kamakura period, including parts of armor, writing, kimono and helmets.
Most consider this mini museum avoidable, but for just over a euro era (1 usd = ~ 170 yen), spending 200 yen for a quick visit I found it acceptable, although the museum itself was not exciting.




One of the drums used during the matsuri, the most famous place between September 16 and 14 and provides, among other things an exhibition of traditional archery in horse, the Yabusame , ancient custom practiced by knights in the last day of the festival.
In January, the archers will compete in a tug to small targets marked with the kanji for oni . Each target hit is a oni driven.
During New Year holidays, the temple receives almost two million visitors.



Above the stairs to a small museum. Shortly before the chapel where there are kept mikoshi.




These flags are located in the pools at the sanctuary. Unfortunately I could not understand their function and meaning. I suspect that they were still there after the end of the matsuri mid-September and that somehow symbolize the struggle between the Minamoto and Heike, but these are just my rambling so please feel warned ^ ^

are still waiting for someone to help me shed light on the mystery!

Sunday, July 5, 2009

Low Cost Eye Exams In Dallas Tx

Lost & Found: How to get lost and get a free surprise!

It was about lunchtime when we went from Hase Dera, although it was sent in October was a warm, so we decided to head back to the station making the location of the morning. Along the way we would find something to eat and after we decided to go. We did not have a map of Kamakura, so soprenderà those who have read some previous posts that at one point did not recognize the way!

One of the guides on Japan that I consulted suggested that often get lost, because the only way to discover angles that do not imagine, because the only way to discover its soul more generous and genuine. And if there is a place where I am sorry that I lost what it is Kamakura. Reconstruct the path we took was rather difficult even with the help of Google Maps Street View, but paradoxically had unwittingly taken a right path.



In the photo, the area near the intersection of the 32 prefectural (leading to the Daibutsu ) and 311 leading near the station.
Various shops scattered along the way were some open some closed, and the animation was far away that we would find the streets a few hours later, as the afternoon progressed. The more we continued along the 311, plus the faded resort area to make way for homes, with very few local shops to color in subtle landscape.



Perhaps this was to fool us. After about a mile, in fact, we decided to take a cross to the left, convinced (rightly) of having the wrong road. Too bad that the bar made us extend the path to the station, we would find - quite by chance - less than a mile after!
We turned in an alley near a place called Sasamemachi very close but far more picturesque 311.



not remember the number of times to change course after that turning point, with narrow streets became more narrow and sloping green.
It was by pure luck that after covering a lot of road, we came out in a wider road, the prefectural 21, exactly at the point where to place along the perimeter of the great temple Tsurugaoka Hachimangu . The little man of Street View in the left picture indicates the point where we reached the entrance of the temple is visible in the center of the photo.



We were stunned by the solemn Torii red and from the crossing which opened up a very large artery that went to where the view was able to cover (in fact to the sea for more than two miles). We knew nothing of this temple!



The view was spectacular. The temple rose up, climbing a slope and preseguendo the visual line that departed from the sea.
crossed the torii and set off towards the bridge that marked the entrance of the temple. Hunger could wait!